In this article the transition from literary realism (Balzac. George Eliot. Verga) is described as a shift from mimesis to constructivism. It is indicated how the realist confidence in the ability of the writer to represent reality as such yields to a modernist skepticism which recognises the contingent character of all fictional constructs. https://www.parisnaturalfoodes.shop/product-category/permed-colour-treated-conditioner/
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